美国名人 摄影师 黛安娜.阿勃丝.docx

美国名人摄影师黛安娜阿勃丝DianeArbus,1923-1971:ARevolutionaryPhotographerofUnusualPeopleplaystopmutemaxvolume00:00-15:11repeatByDanaDemange2009-8-8VOICEONE:mFaith1.apidus.VOICETWO:AndmSteveEmberwithPeopleinAmericainVOASpecialEnglish.Today,wetellaboutDianeArbus,arevolutionarymodernphotographer.(MUSIC)VOICEONE:DianeArbus'photoofaJewishgiantathomewithhisparentsintheBronx,N.Y.DianeArbusisknownforcreatingintenseblackandwhitephotographsofveryunusualpeople.Sheusedaspecialcamerathatproducedsquareshapedimages.Oftenhersubjectslooksad,conflictedorphysicallyabnormal.Buttheydonottrytohidetheirinsecurities.Theyopenlystareatthecamera.OneartexpertsaidDianeArbusturnedphotographyinsideout.Insteadoflookingathersubjects,shemadethemlookather.Arbuslearnedtomixtherealisticnatureofphotographywithitsexpressivepossibilities.Sheexploredhowpeoplelivewithsamenessanddifferenceaswellasacceptanceandrejection.Thesecombinationscreatedveryinterestingartthatwasoftendisputed.(MUSIC)VOICETWO:DianeArbuswasborninnineteentwenty-threetoawealthyfamilyinNewYorkCity.HerfatherDavidNemero½ownedalargeclothingstoreinacostlyareanearFifthAvenue.Herparentscollectedartandwerepartofthe"highsociety"ofNewYork.ThefamilytraveledoftentoEurope.Theyhelpedtheirchildrenexpresstheirartisticgoals.Diane'sbrotherwasthefamouspoet,HowardNemerov.Hersisterbecameasculptor.Afterfinishinghighschoolattheageofeighteen,DianemarriedAllanArbus.MisterArbusworkedintheadvertisingdepartmentofherfather'sstore.VOICEONE:ItwasMisterArbuswhogaveDianeherfirstcamera.DianesoondecidedtotakeaclasswiththefamousphotographerBereniceAbbott.TheArbuseseventuallystartedtakingphotographsofclothing.TheseimageswereusedasadvertisementsforDiane'sfather'sstore.Afterthebirthoftheirdaughter,DoonztheArbusesstartedabusinesstogether.Theirpurposewastophotographclothingfashions.DianeArbuswasthestylist.Shewouldpreparethehairandfacesofthefashionmodelswhoworetheclothingbeingphotographed.AllanArbustookthepictures.VOICETWO:Thecouplesoonhadjobsfromimportantfashionmagazinessuchas"Vogue"and"Harper'sBazaar".Theirworkwasverysuccessfulduringthenineteenfifties.Theybecamepartofagroupofartiststhatwerehelpingtoredefinevisualculture.Theywerebreakingwithpasttraditionstocreateanewlookforanewdecade,thesixties.VOICEONE:ButDianewasnotsatisfiedwithhersecondaryrole.Shewantedamoreactivepartinmakingphotographs.Shewantedtoexploreherownartisticexpressionandfreedom.Todothis,shestoppedworkingwithherhusband.ThenshestartedtakingphotographyclassesattheNewSchoolinNewYorkCity.Arbus'teacher,1.isetteModel,influencedherinmanyways.SheshowedDianehowtouseacameralikeanexpert.ShealsotaughtDianetouseherarttofaceherdoubtsandfears.MissModeloncesaidthatDianesoonstarted"notlisteningtomebutsuddenlylisteningtoherself."(MUSIC)VOICETWO:DianeArbuschosehersubjectsverycarefully.ShephotographedmanyofthesepeopleinornearNewYorkCity.Sheoftenchosetophotographunusualpeoplelivingontheedgeofacceptablesociety.Butsheshowedthecommonandrecognizablesideofsuchunusualpeople.Forexample,shetookpicturesofextremelyshortandextremelytallpeople.Shephotographedmendressedaswomen,circusperformers,andevenpatientswithseverementallimitations.Sheoncesaid:"Myfavoritethingistogowhereveneverbeen."VOICEONE:Oneofherfamousphotographswastakeninnineteensixty-six.Itisofayoungtransvestite.Atransvestiteisamanwhodressesandactslikeawoman.Thismaniswearingplasticobjectsinhishairtocurlandshapeit.Heisalsowearingmakeuponhisfacetomakeitlookmorelikeawoman.Thepictureistakenfromcloseupwithseverelightingeffects.InthedarkcentersofhiseyesyoucanseethelightfromArbus'camera.Youcanseeeverydetailandimperfectionofhispaleskin.Helooksdirectlyatyouasthoughhehasnothingtohide.Hislookisoneofinterestandacceptance.VOICETWO:Anotherphotographlikethisiscalled"MexicanDwarfinHisHotelRoominN.Y.C."Itwastakeninnineteenseventy.Here,Arbususessimilardramaticlighting.Sheshowsaclose-upviewoftheupperbodyandfaceofthisextremelysmallman.Helooksdirectlyatthecamerawiththesuggestionofasmile.Youcanseeallthelinesonhissmallshortfingers.Thehaironhischestandfaceseemsveryclose.Youcanalmostsmellthealcoholonthetablebesidehim.Youcanalmostfeelthesmoothclothsheetsonhisbed.Itisasthoughyouhaveenteredthepersonalworldofthissmallstranger.Theexpressionsofthesemenaresohonestthatitisalmostunpleasanttoobserve.DianeArbusexploredthistensioninherwork.Shecaughthersubjectsinpositionswheretheyshowthemselvescompletely.Theydonotseemafraidtoshowtheirimperfectionsandstrangeness.Theydonothidethepartsofthemselvesthatarenotbeautiful.Theyopenlyshowtheirbodiesandsouls.Seeingthepictures,yousometimesfeelyouareinterferingintheprivatelivesofthesestrangepeople.Youfeellikemaybeyouarenotsupposedtobelooking.(MUSIC)VOICEONE:SomeartcriticsbelieveDianeArbusphotographedsuchunusualpeopleasaresultofherbackground.Shegrewupinasafeandwealthyenvironment.Inphotographingthestrangeandimperfectpeopleinsociety,sherejectedherownsocialgroup.Sherevoltedagainstherupbringingtoprovethatshewasartisticallyindependent.Shechosetoexploretheunusualsidesofsocie