a-room-of-one's-own一个人的房间.docx
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1、VirginiaWoolf(1882-1941)isabrilliantwomanauthorintheEnglishliteraryfieldduringthe19thand20thcentury.Sheisthepioneeramongfeminismcritics.HerrepresentativeworkARoomofOne,sOwniswidelyconsidered“thefirstmoderntextoffeministcriticism.,Itisthefirsttoexposeandcriticizepatriarchyculture.Shecriticizestheinhi
2、bitionoffemalesfrompatriarchycultureandaffirmsthefemaleliteraturetraditionrejectedbypatriarchysociety,findingahistoricalsupportingpointforfemalewriting.Sheputsforwardtheideathatfemalesshouldtrytowritefromthedual-sexpointofviewwithoutneglectingtheirownsexfeatures,thusprovidingusgreatervaluethanthosef
3、eministcriticsexcludingmalewriters.Theninmypaper,Iwilltrytoanalyzethisworkfromthefollowingaspects:instructionofARoomofOne,sOwn,feministicthoughtsinARoomofOnesOwnandtheinfluenceofherfeministicthoughtsintheliteraryfield.Firstandforemost,ARoomofOnesOwnisbasedonaseriesoflecturesshedeliveredatNewnhamColl
4、egeandGirtonCollege,twowomenscollegesalCambridgeUniversityin1928.Itistheinspirationalsourceforthefundamentalqueriesofafemaleliterarytraditionandisalsomuchappreciatedin(hepresentpost-modernistorpost-feministtime.Inthisbooktherearesixchapters,ineachsectionVirginiaWoolfdiscussesthedifferentaspectsofthe
5、topic:womenandfiction.InchapteroneVirginiaWoolfpointsoutthatwesternhistorysofarhasbeenthehistoryofthepatriarchy,ahistoywrittenbymenaboutmenandformen.Asdaughters,wife,ormother,womenhavenoequalrightsandnoeconomicindependence.Inchaptertwo,thetopicismen,sanger.Thenarratorofthebook,goestotheBritishMuseum
6、tofindoutaseriesofquestions,suchas”whydidmendrinkwineandwomenwater?,andtheaunt,“MaryBatonleavesthenarratoralegacyof500poundsayear,andthislegacyhasitsspecialhints.Inchapterthree,thenarratordecidestoinvestigatewomeninElizabethanEngland,puzzledwhytherewerenowomenwritersinthatfertileliteraryperiod.Shebe
7、lievesthereisadeepconnectionbetweenlivingconditionsandwriting.Inchapterfour,thenarratormakesupastoryofJudithShakespeare,supposedlythesistertothegreatElizabethanplaywright.Judithisfullofadventurousspiritandrichimagination,butsheisnotsenttoschool,asherbrotheris,tolearngrammarandlogic.Finallyherbrother
8、goesto1.ondonandbecomesagreatdramatist,whileshediesandisburiedatcrossingroads.Actuallythestoryisaminiatureofthepatheticlifeofwomen,especiallywomenoftalentandambitionintheolddays.Inchapterfive,thenarratorthinksthatthefemalewriters,nowgivenabettereducation,nolongerneednovelsasameansofself-expression.S
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